Next Wave Films Printed Press
| Title |
Publication |
Issue No. |
Date |
Author |
| Learning to Love Digital |
Wired |
|
Jan.20, 2001 |
Jason Silverman |
| Fast, Cheap, And In Control |
Variety |
|
Jan. 17, 2001 |
Patricia Saperstein |
| Sundance 2K1: Digital Myths and Reality |
Film Threat |
|
Jan. 17, 2001 |
Ron Wells |
| Pic Clique Packs Parkas |
Variety |
|
Jan. 15-21, 2001 |
Dana Harris and Cathy Dunkley |
| Sundance remit unchanged despite big budgets, effects |
Screen International |
|
Dec. 8-14, 2000 |
Mike Goodridge |
| New Name, Same Old Market: The Independent Feature Project Market |
The Independent |
|
Dec. 2000 |
Scott Castle & Paul Power |
| Fast, Cheap, In Control |
Variety |
|
Nov. 13-19, 2000 |
Kathy A. McDonald |
| Net players restyle as mini-studios |
Screen International |
No. 1280 |
Oct. 13-19, 2000 |
Denis Seguin |
| A whole new scene |
The Guardian |
|
Oct. 19, 2000 |
Chris Lakeman Fraser |
| Cutting A Dash |
Production Solutions |
|
Sept. 2000 |
Chris Lakeman Fraser |
| Government commissions study into digital film |
Screen Finance |
Vol. 13 No. 16 |
Sept. 15, 2000 |
Krysia Derecki |
| The Politics of Shooting |
Screen International |
No. 1272 |
Aug. 18-24, 2000 |
Denis Seguin |
| Frame Rate |
The Hollywood Reporter |
|
August 2000 |
Paula Parisi |
Helmers gear up for high-def camera
|
Variety |
|
July 31, 2000 |
Holly Willis |
Next Wave fully funds first British Production
|
Screen Finance |
Vol. 13 no. 13 |
July 19, 2000 |
Krysia Derecki |
The New Digital Production Studios
|
RES |
vol. 3 no. 3 |
|
Holly Willis |
| A Star in Born |
The Business: Financial Times Weekend |
|
June 5, 2000 |
Geoffrey Wansell |
Series: The Professionals: Producers "Hard at Work"
|
Hollywood Reporter |
Vol.82 no. 1 |
March 2, 2000 |
Michael Rechtshaffen |
| SPAA Fringe |
IF (Inedpendent Filmmakers) |
Issue 18 |
October 1999 |
David Barda |
| Funding the Revolution |
Santa Monica Sun |
Vol. 2 #28 |
November 99 |
Teresa Rochester |
| Quote of the Week |
Screen International |
No. 1230 |
Oct. 15-21 |
|
| Can You Dig it? |
Premiere |
Vol.13 #3 |
November 99 |
Harry Allen |
| How a Film Indie Shops for a Backer |
New York Times |
|
Sept. 23,1999 |
Peter M. Nichols |
| Next Wave Finds Funds for Newbies |
Variety |
Special Issue: The Independents |
August 27, 1999 |
Christopher Grove
|
| Original Outlet: Independent Film Channel Branches into Prod’n, New Media |
Variety |
Special Issue: The Independents |
August 27, 1999 |
Holly Willis |
| A Beginner's Guide to DV Production |
Filmmaker Magazine |
Volume 7 #3 |
Spring 1999 |
Peter Broderick, Mark Stolaroff, Tara Veneruso |
| Agenda 2000 |
Filmmaker Magazine |
Volume 7 #3 |
Spring 1999 |
David Geffner |
Next Wave Finds Funds for Newbies
|
Variety Special Issue: The Independents |
|
August 27, 1999 |
Christopher Grove
|
| Original Outlet: Independent Film Channel Branches into Prod’n, New Media |
Variety Special Issue: The Independents |
|
August 27, 1999 |
Holly Willis |
| Phantom Legacy - Think Digitally then Think Digitally Again |
Premiere |
|
July 1999 |
John Horn |
| Digital Filmmaking A Low Budget Choice |
Variety |
|
July 16, 1999 |
Holly Willis |
| Digital Revolution Part XIV |
The Independent |
|
June, 1999 |
Gesha-Marie Bryant |
| Pearce, Moss eye indie 'Momento' |
Variety |
|
June 29, 1999 |
Benedict Carver/Chris Petrikin |
| The Future of Film – Is Digital Video Changing Film for Good? |
Atlanta Press |
Vol. 16 No. 15 |
June 11-17, 1999 |
Conal Byrne |
| Fest Forward: Digital Video in Cannes |
Village Voice |
Vol XLIV No. 23 |
June 15,1999 |
Amy Taubin |
| The Future of Film ö Is Digital Video Changing Film for Good? |
Atlanta Press |
Vol. 16 #15 |
June 11-17,1999 |
|
| Highlights! Camera! Action! |
Orlando Weekly |
|
June 10-16, 1999 |
Steve Schneider |
| Basement Business thrives at Cannes |
LA Times |
|
May 22, 1999 |
Marilyn August |
| Dogme Days |
Screen International |
Issue #1 |
May 12, 1999 |
Colin Brown |
| Movies on the Cheap |
LA Business Journal |
"Up Front" |
April 19,1999 |
Sara Fisher |
| DIY=DVC Digital Feature Production |
Sight and Sound Magazine (UK) |
Media Watch 1999 |
March 1999 |
Peter Broderick and contributions by Mark Stolaroff, Tara Veneruso |
| Next Wave Opens London To hunt Projects |
Screen Finance |
Vol 12, no 5 |
March 18, 1999 |
|
| Movies Roll With The Digital Age |
USA Today |
|
Wed. March 17, 1999 |
|
| Now At A Desktop Near You |
Newsweek |
|
March 15, 1999 |
David Ansen/Ray Sawhill |
| Digital is Coming. Digital Is Coming. Digital Is Here. |
IndieSlate |
Vol3 No 3 |
|
|
| Dogma Spreads to US ö Next Wave Unveils Video Production Initiative |
Screen International |
|
January 29-Feb. 4, 1999 |
Mike Goodridge |
| Wave Sets Digital Video Production Arm |
Variety |
|
Tuesday, Jan. 19, 1999 |
Monica Roman |
| Caveat Emptor: Buyers Perspective on Independent Film Market |
The Independent |
|
Dec. 1998 |
Paul Power |
| Following Wind Speeds up Film Finishing Funds ö Next Wave backs Toronto Discvery; Seeks Ultra-low Budget Pics |
Screen International |
|
September 25, 1998 |
Sandy George |
| IFC Gives Three indie Pix Greenlight |
Variety |
|
Tues., Sept. 8, 1999 |
|
| The Buzz |
Hollywood Reporter |
|
September 8-14, 1998 |
Dana Harris |
| The Making of a Movie Movement |
Moviemaker |
Vol.5, no.30 |
August 1998 |
Peter Broderick |
| Many Happy Returns (By any Means Necessary) |
Moviemaker |
Vol.5, no.30 |
August 1998 |
Chris Zack |
| The Digital Revolution |
Moviemaker |
Vol.5, no.30 |
August 1998 |
George Wing |
| Electronic Age Digital Filmmaking a low-budget choice |
Variety |
The Independents '98 |
July 16, 1998 |
Holly Willis |
| Money For Mavericks |
Film Journal International |
Vol. 100, no. 11 |
Dec. 1997 |
Maria Garcia |
| In the Can but it's not a Wrap |
Independent Filmmakers |
Issue 6 |
April, May 1998 |
David Barda |
| Can do, In the Can, and into Cannes |
Independent Filmmakers |
Issue 5 |
Feb., March 1998 |
David Barda |
| Next Wave Provides Finishing Touches |
Los Angeles Times: Calendar |
|
Jan. 25 1998 |
Kevin Baxter |
| The Fine Art of Crashing |
Variety Weekly (Phantom) |
|
Jan. 26-Feb. 1 1998 |
Monica Roman |
| Catching the Next Wave |
The New Zealand Heald On Film |
|
Dec., Jan. 1998 |
Graham Reid |
| Video Nurtures New Talent |
Encore |
Vol. 15, Issue 19 |
Dec. 3-16 1997 |
Adriana Mauric |
| Catching the Next Wave |
City Voice÷NZ |
Vol. 15, Issue 19 |
Nov. 13 1997 |
Jarret Hely |
| Company Backs Struggling Filmmakers |
The Evening Post÷NZ |
|
Nov. 14 1997 |
Mike Houlahan |
| The Advice: Drop Your Shorts |
The New Zealand Herald On Film |
|
Nov. 26 1997 |
Graham Reid |
| Paying the Way for the Next Wave |
Cinema Papers |
No. 120 |
Oct. 1997 |
|
| IFC Seeks Next Wave of Projects |
Daily Playback |
|
Sept. 11 1997 |
Cheryl Binning |
| Cash Flow |
Filmmaker |
Vol. 5, no. 4 |
Summer 1997 |
Scott MaCaulay |
| IFC Fronts Finishing Funds for Next Wave |
The Independent Film and Video Monthly |
|
July 1997 |
Paul Cullum |
| Producer's Reps. Finding their Share of Limelight |
Daily Variety |
|
July 24 1997 |
Paul Duran |
| Toronto Film Festival Ramps Up |
Daily Playback |
|
July 28 1997 |
Cheryl Binning |
| New Blood |
The Village Voice |
Vol. XLII, no. 23 |
June 10 1997 |
Amy Taubin |
| Critical Eye: Money Matters |
Release Print |
|
May 1997 |
|
| New Funds for Independents |
Filmecho/ Filmwoche Germany |
No. 21 |
May 24 1997 |
Birgit Heidsiek |
Articles by members of Team Next Wave
| Title |
Publication |
Issue No. |
Date |
Author |
| NAB 2001 |
indieWIRE |
|
April, 2001 |
Tara Veneruso |
| Digital Editing: Final Cut Pro |
Filmmaker's Alliance Newsletter |
|
Winter 2001 |
Tara Veneruso |
| Moviemaking in Transition |
Scientific American |
|
November, 2000 |
Peter Broderick
Collaborators:Mark Stolaroff, Tara Veneruso |
| A Future of Digital Features |
Filmwaves |
Issue 9 |
Autumn 99 |
Liz Rosenthal |
| Digital Film Production |
Film Ireland |
|
Aug/Sep 99 |
Peter Broderick, Mark Stolaroff, Tara Veneruso |
| Next Wave Films |
Impact (Pact Scotland) |
|
June 1999 |
Liz Rosenthal |
| A Beginner's Guide to DV Production |
Filmmaker Magazine |
Volume 7 #3 |
Spring 1999 |
Peter Broderick, Mark Stolaroff, Tara Veneruso |
| DIY=DVC Digital Feature Production |
Sight and Sound Magazine (UK) |
Media Watch 1999 |
March 1999 |
Peter Broderick and contributions by Mark Stolaroff, Tara Veneruso |
| NAB '99: |
Indiewire |
Tech |
April 1999 |
Tara Veneruso |
| The Making of a Movie Movement |
Moviemaker |
Vol.5, no.30 |
August 1998 |
Peter Broderick |
| NAB '98: In Search of Techno-Independence |
Indiewire |
Tech |
April 1998 |
Tara Veneruso |
| Spike, Mike, Slackers and Dykes the life and times of John Pierson. Part I |
Moviemaker |
|
Issue 17 |
Peter Broderick |
| Spike, Mike, Slackers and Dykes the life and times of John Pierson. Part II |
Moviemaker |
|
Issue 18 |
Peter Broderick |
| ABC's of No-Budget Filmmaking |
Filmmaker |
|
Winter 1992 |
Peter Broderick |
Digital video articles on Next Wave Films
| Title |
Publication |
Issue No. |
Date |
Author |
|
|
|
|
|
| Learning To Love Digital |
Wired |
|
Jan. 20, 2001 |
Jason Silverman |
| Fast, Cheap, And In Control |
Variety |
|
Jan. 17, 2001 |
Patricia Saperstein |
| Sundance Digital Features Break Down Barriers |
indieWIRE |
|
Feb. 5, 2001 |
Scott Smith |
| Sundance 2K1: Digital Myths and Reality |
Film Threat |
|
Jan. 17, 2001 |
Ron Wells
|
| Pic Clique Packs Parkas |
Variety |
|
Jan. 15-21, 2001 |
Dana Harris and Cathy Dunkley |
| Sundance remit unchanged despite big budgets, effects |
Screen International |
|
Dec. 8-14, 2000 |
Mike Goodridge
|
| Fast, Cheap, In Control |
Variety |
|
Nov. 13-19, 2000 |
Kathy A. McDonald
|
| Net players restyle as mini-studios |
Screen International |
No. 1280 |
Oct. 13-19, 2000 |
Denis Seguin
|
| A whole new scene |
The Guardian |
|
Oct. 19, 2000 |
Chris Lakeman Fraser |
| Moviemaking Made Easy |
Indie Slate |
Iss. 8 Vol. 4 |
Jul. - Sept. 2000 |
Connie and Si Dunn
|
| Cutting A Dash |
Production Solutions |
|
Sept. 2000 |
Chris Lakeman Fraser
|
| Government commissions study into digital film |
Screen Finance |
Vol. 13 No. 16 |
Sept. 15, 2000 |
Krysia Derecki
|
| Next Wave Names New UK Project |
Indiewire |
|
|
Eugene Hernandez |
| Helmers gear up for high-def camera |
Variety |
|
|
Holly Willis |
Next Wave fully funds first British Production
|
Res Magazine |
|
|
Krysia Derecki |
The New Digital Production Studios
|
Screen Finance |
|
|
Holly Willis |
| Frame Rate |
The Hollywood Reporter |
|
August 2000 |
Paula Parisi |
| The Politics of Shooting |
Screen International |
No. 1272 |
Aug. 18-24, 2000 |
Denis Seguin |
| A Star in Born |
The Business: Financial Times Weekend |
|
|
Geoffrey Wansell |
| Cannes Revisited Through Digital Debate |
IndieWire |
|
June 6, 2000 |
Anthony Kaufman |
| Timely Code |
Hollywood Reporter |
|
May 9, 2000 |
Patrick Z. McGavin |
| Dogma Style |
Hollywood Reporter |
|
May 9, 2000 |
Patrick Z. McGavin |
| DV Nation |
Hollywood Reporter |
Vol.361, no. 50 |
March 1, 2000 |
Patricia Thomson |
Form & Function
The DV Feature Revolution
|
if |
Issue #21 |
February/ March 2000 |
Nathan McDonald |
| The Digital Revolution Storms Park City |
Moviemaker Magazine |
#37, vol.7 |
February 2000 |
Rustin Thompson |
| A Bug in the System, Part 2: Hollywood Wakes up to the Future |
Res Magazine |
Vol.2, No. 4 |
Winter 1999 |
Holly Willis |
| Some Projections on Digital Projection |
The Independent |
|
Nov. 1999 |
Mark London Williams |
| Digital Revolution |
New Media Pro |
Vol. 2 #9 |
Nov. 1999 |
Lee Rickwood |
| Pixel This |
LA Weekly |
Vol. 21 No. 51 |
Nov. 12-18, 1999 |
David Chute |
| The Auteur as Gearhead (Pt.1of2) |
LA Weekly |
Vol. 21 No. 50 |
Nov. 5-11, 1999 |
David Chute |
| Is this Hollywood's Worste Nightmare? |
Independent News |
|
Oct. 11, 1999 |
Robert Alstead |
| Independent Film Goes Digital |
Videography |
|
Sept. 1999 |
Robert Goodman |
| New Media Firms Provide X-factor: Record Rookie lineup at IFFM |
Daily Variety |
Vol. 265 No.9 |
Sep. 17, 1999 |
K.D. Shirkani |
| A Bug in the System: Hollywood Wakes up to the Future |
Res |
Vol. 2 No. 3 |
Fall 1999 |
Holly Willis |
| My Hollywood! |
Wired |
|
October, 1999 |
Rob Kenner |
| Independents Day |
Wired |
|
October, 1999 |
Bob Parks |
| Catch Us If You Cannes |
The Independent |
|
Aug/Sept 1999 |
Barbara Scharres |
| Jury still out on digital video pix |
Variety |
|
July 30, 1999 |
Christopher Grove |
| 1999 Cannes Film Festival |
Res Magazine |
Vol 2 No 3 |
Summer 1999 |
Anthony Kaufman |
| A Beginner's Guide to DV Production |
Filmmaker Magazine |
Volume 7 #3 |
Spring 1999 |
Peter Broderick, Mark Stolaroff, Tara Veneruso |
| Agenda 2000 |
Filmmaker Magazine |
Volume 7 #3 |
Spring 1999 |
David Geffner |
| Drowing in a sea of mediocrity |
Ireland Film and TV Net News |
|
July 27, 1999 |
|
| Digital Underground |
Video Systems |
|
July 1999 |
Cody Holt |
| Digital Video Seminar |
Ireland Film and TV Net News |
|
July 1999 |
Dermot McNevin |
| Phantom Legacy - Think Digitally then Think Digitally Again |
Premiere |
|
July 1999 |
John Horn |
| Hollywood Discovers Digital |
Wired News |
|
April 19, 1999 |
Michael Stroud |
| Movies Roll With The Digital Age |
USA Today |
|
Wed. March 17, 1999 |
|
| Now At A Desktop Near You |
Newsweek |
|
March 15, 1999 |
David Ansen/Ray Sawhill |
| Digital is Coming. Digital Is Coming. Digital Is Here. |
IndieSlate Texas |
Vol 3 No 3 |
|
Dave Walker
|
| Dogma Spreads to US ö Next Wave Unveils Video Production Initiative |
Screen International |
|
January 29-Feb. 4, 1999 |
Mike Goodridge |
| Fest Forward: Digital Video in Cannes |
Village Voice |
Vol XLIV No. 23 |
June 15,1999 |
Amy Taubin |
| The Future of Film ö Is Digital Video Changing Film for Good? |
Atlanta Press |
Vol. 16 #15 |
June 11-17,1999 |
|
| Highlights! Camera! Action! |
Orlando Weekly |
|
June 10-16, 1999 |
Steve Schneider |
| Up From Celluloid |
FEED Essay |
|
May 19, 99 |
Saul Antone |
| Cannes 99:DV or not DV |
Indiewire |
|
May 26, 1999 |
Anthony Kaufman |
| Movies on the Cheap |
LA Business Journal |
"Up Front" |
April 19,1999 |
Sara Fisher |
| NAB '99: |
Indiewire |
Tech |
April 1999 |
Tara Veneruso |
| DIY=DVC Digital Feature Production |
Sight and Sound Magazine (UK) |
Media Watch 1999 |
March 1999 |
Peter Broderick and contributions by Mark Stolaroff, Tara Veneruso |
| Digital Wins at Sundance Fest |
Wired News |
|
Jan. 29, 1999 |
Jason Silverman |
| Sundance Enters Digital Era |
Wired News |
|
Jan. 21, 1999 |
Jason Silverman |
| Next Wave Launches Digital Feature Arm |
Indiewire |
|
Jan. 19, 1999 |
Eugene Hernandez |
| Dogma Spreads to US ö Next Wave Unveils Video Production Initiative |
Screen International |
|
January 29-Feb. 4, 1999 |
Mike Goodridge |
| Wave Sets Digital Video Production Arm |
Variety |
|
Tuesday, Jan. 19, 1999 |
Monica Roman |
| The Making of a Movie Movement |
Moviemaker |
Vol.5, no.30 |
August 1998 |
Peter Broderick |
| NAB '98: In Search of Techno-Independence |
Indiewire |
Tech |
April 1998 |
Tara Veneruso |
| Many Happy Returns (By any Means Necessary) |
Moviemaker |
Vol.5, no.30 |
August 1998 |
Chris Zack |
| The Digital Revolution |
Moviemaker |
Vol.5, no.30 |
August 1998 |
George Wing |
| Electronic Age Digital Filmmaking a low-budget choice |
Variety |
The Independents '98 |
July 16, 1998 |
Holly Willis |
| Video Nurtures New Talent |
Encore |
Vol. 15, Issue 19 |
Dec. 3-16 1997 |
Adriana Mauric |
On-line Magazines with articles or interviews about Next Wave Films
| Title |
Publication |
Issue No. |
Date |
Author |
| Sundance Digital Features Break Down Barriers |
indieWIRE |
|
Feb. 5, 2001 |
Scott Smith |
| Sundance 2K1: Digital Myths and Reality |
Film Threat |
|
Jan. 17, 2001 |
Ron Wells
|
| Cannes Revisited Through Digital Debate |
Indiewire |
|
June 6, 2000 |
Anthony Kaufman
|
Next Wave Names New UK Project
|
Indiewire |
|
August 4, 2000 |
Eugene Hernandez |
| Truly Independent Cinema |
Interactive Week |
|
June 5, 2000 |
Eric Gardner |
| Web Sites Worth the Trip |
Access |
|
March 5, 2000 |
|
Industry Babe of the Week:
Tara Veneruso |
Smackdabmedia.com |
|
March 13, 2000 |
|
| IFP/West DV series preaches to the Convertible |
Ifilm.com |
|
March 2, 2000 |
Steve Anderson |
| The Next Wave in Digital |
2-pop.com |
|
January 19, 2000 |
Guy Cimbalo |
| Cut by Sundance: Surviving Festival Rejection |
Ifilm.net |
|
January 10, 2000 |
Dempsey Rice |
| Sundance 2000: DV's Next Stand |
Wired News |
|
December 27, 1999 |
Jason Silverman |
| Confessions of a Festival Junkie |
Cine Zine |
Vol. 1 |
November 15, 1999 |
Rich Cline |
| Fast Forward Revolution |
Inside Out Film |
|
November 12, 1999 |
|
| Film: New |
Time Out.com |
|
November 3, 1999 |
|
| Next Wave Films |
6 Degrees |
|
October 16,1999 |
Liz Rosenthal |
| The Video revolution at IFFM |
Creative Planet
(Director's World)
|
|
October 4, 1999 |
Fred Lombardi |
| Trade Forum Highlights |
Vancouver International Film Festival |
|
October 5, 1999 |
Philipe Kristof |
| Sundance Hoping for Digital Projection at 2000 Festival |
IndieWire |
|
October 1, 1999 |
Eugene Hernandez |
| Digital Video Seminar |
Ireland Film and TV Net News |
|
July 30, 1999 |
Dermot McNevin |
| Drowing in a sea of mediocrity |
Ireland Film and TV Net News |
|
July 30, 1999 |
|
| Digital Video Seminar |
Ireland Film and TV Net News |
|
July 1999 |
Dermot McNevin |
| Up From Celluloid |
FEED Essay |
|
5.19.99 |
Saul Antone |
| Cannes 99:DV or not DV |
Indiewire |
|
May 26, 1999 |
Anthony Kaufman |
| Hollywood Discovers Digital |
Wired News |
|
April 19, 1999 |
Michael Stroud |
| Sundance Enters Digital Era |
Wired News |
|
Jan. 21, 1999 |
Jason Silverman |
| Digital Wins at Sundance Fest |
Wired News |
|
Jan. 29, 1999 |
Jason Silverman |
| Saunders Named Spirits Awards' "Someone To Watch"; Nominees Surveyed As Spirits and Oscars Draw Near |
Indiewire |
Biz |
March 1998 |
Eugene Hernandez |
| IFP/West Chooses Three To (S)Watch |
Indiewire |
Biz |
March 1998 |
Aaron Krach |
| Lions Gate Nabs "Snitch and "Affliction" |
Indiewire |
Biz |
1998 |
Eugene Hernandez |
| Hitting the Ground Running: Americans at the Berlinale Market |
Indiewire |
Biz |
February 1998 |
Ryan Deussing |
| The Margins Inside: Frontiers and Midnights |
Indiewire |
Festivals |
February 1998 |
Anthony Kaufman |
| Lions Gate Grabs "Blood, Guts" |
Indiewire |
|
February 10, 1998 |
Eugene Hernandez |
| "Blood, Guts" |
Indiewire |
|
February 9, 1998 |
Eugene Hernandez |
| Park City 98: indieBUZZ ++ |
Indiewire |
Festivals |
January 22, 1998 |
indieWIRE |
| Park City 98: IFC Films Expands; "Next Wave" Confirms "Blood, Guts" Deal |
Indiewire |
Biz |
January 19, 1998 |
Eugene Hernandez |
| Park City 98: indieBUZZ ++ |
Indiewire |
Festivals |
January 17, 1998 |
indieWIRE |
| Peter Broderick is Giving Away Money |
IFFM Website |
IFFM97 |
September 1997 |
Damian Slattery |
| Scott Macauley on Next Wave Film's Finishing Funds |
Filmmaker Magazine |
Summer 97 |
Summer 1997 |
Scott Macaulay |
| IFFCON Gears Up For '98, Announces 60 Projects |
Indiewire |
Biz |
December 1997 |
Mark Rabinowitz |
| IFFM97: Settling In And Getting Aquainted |
Indiewire |
|
September 16, 1997 |
Eugene Hernandez |
| Brewster, Fessenden and Smith Are Finalists For Swatch Prize |
Indiewire |
Biz |
March 1997 |
indieWIRE |
| Next Wave Names Advisory Board |
Indiewire |
Biz |
March 1997 |
Eugene Hernandez |
| IFC Puts It's Money Where It's Name Is |
Indiewire |
Biz |
March 1997 |
Eugene Hernandez |
| Time Warner Cable of New York Announces New Tier of Programming; IFC To Debut On The System This Fall |
Indiewire |
Biz |
March 1997 |
Eugene Hernandez |
| Sehring Named President of New 'IFC Films' |
Indiewire |
Biz |
1997 |
|
| Cyphon |
|
|
|
Cyphon |
Other Articles and Listings of interest with interviews of the Next Wave Team or Next Wave Films listing:
| Title |
Publication |
Issue No. |
Date |
Author |
|
|
|
|
|
| Hollywood Surfers |
Variety |
|
Oct. 11, 1999 |
Mark London Williams |
| Heaven Sent |
The Independent |
Vol. 22 No. 7 |
Aug/Sept, 1999 |
Patricia Thomas |
| Get help lining up the funds |
Variety |
|
July 30, 1999 |
|
| Original Outlet: Independent Film Channel branches into prod’n new media |
Variety |
|
July 30, 1999 |
Holly Willis |
| Alternative Universe. Black-and White: renegade choice |
Variety |
The Independents '98 |
July 16, 1998 |
Holly Willis |
| A Film Festival Focuses on 'Gener-Asian X' |
The New York Times |
Vol CXLII, No. 51, 226 Wednesday July 22, 1998 |
July 22, 1998 |
Edward Wong |
| The '98 Berlinale |
The Independent Film and Video Monthly |
|
May 1998 |
Ryan Deussing |
| Lions Gate Smells "Blood" |
Daily Variety |
|
Feb. 11 1998 |
Monica Roman |
| U.S. Indies Take Aim at Berlin |
Variety Weekly (48th Berlin Int. FF) |
|
Feb. 9-15 1998 |
Patricia Saperstein |
| Drive, She Said |
Daily Playback |
|
Sept. 9 1997 |
Cheryl Binning |
| Small Screen, Big Picture |
Daily Playback |
|
July 24 1997 |
Holly Willis |
| Mentors with Money: *NWF Listing |
The Biz |
|
Winter/ Spring 1998 |
Michael Hauge |
| *NWF Listing |
Playback First Take |
|
July 11 1997 |
|
| *NWF Listing |
IFP/West Newsletter |
|
June 1997 |
|
| *NWF Listing |
IFP/East Newsletter |
|
June 1997 |
|
| *NWF Listing |
IFP/North Newsletter |
|
June 1997 |
|
| The IFC Forms Two Companies |
International Documentary |
Vol. 16 no. 5 |
May 1997 |
|
| IFC Forms Own Film Company |
Business of Film |
|
April 1997 |
|
| IFC Trying Hand at Production |
The Hollywood Reporter |
|
March 7-9 1997 |
Stephen Battaglio |
| Cable Net. Bows Indie Prod'n Unit |
Daily Variety |
|
March 5 1997 |
Monica Roman |
| IFC Makes Next Wave to Aid with Final Print Coin |
Daily Variety |
|
March 6 1997 |
John Dempsey |
| IFC Readies Top-up Fund |
Screen International |
No. 1099 |
March 14-20 1997 |
Colin Brown |
| IFC to Bankroll Films |
Multichannel News |
|
March 10 1997 |
Kent Gibbons |
| IFC Creates Production Units |
Electronic Media |
|
March 10 1997 |
Jim McConville |
| IFC Sets Up Production Units |
Cable World |
|
March 10 1997 |
Will Workman |
| IFC will Fund Indie Films |
Broadcasting and Cable |
|
March 10 1997 |
Joe Schlosser |
Other Articles and Listings of interest with interviews
of the Next Wave Team or Next Wave Films listing:
| Title |
Publication |
Issue No. |
Date |
Author |
| Moviemaking Made Easy |
Indie Slate |
Iss. 8 Vol. 4 |
Jul-Sep. 2000 |
Connie and Si Dunn |
| MPAA takes issue with Scour.com |
Screen International |
No. 1270 |
Aug. 4-10, 2000 |
Denis Seguin |
| Web Sites Worth the Trip |
Access |
|
March 2000 |
|
| Hollywood Surfers |
Variety |
|
Oct. 11, 1999 |
Mark London Williams |
| Heaven Sent |
The Independent |
Vol. 22 No. 7 |
Aug/Sept, 1999 |
Patricia Thomas |
| Get help lining up the funds |
Variety |
|
July 30, 1999 |
|
| Original Outlet: Independent Film Channel branches into prod’n new media |
Variety |
|
July 30, 1999 |
Holly Willis |
| Alternative Universe. Black-and White: renegade choice |
Variety |
The Independents '98 |
July 16, 1998 |
Holly Willis |
| A Film Festival Focuses on 'Gener-Asian X' |
The New York Times |
Vol CXLII, No. 51, 226 Wednesday July 22, 1998 |
July 22, 1998 |
Edward Wong |
| The '98 Berlinale |
The Independent Film and Video Monthly |
|
May 1998 |
Ryan Deussing |
| Lions Gate Smells "Blood" |
Daily Variety |
|
Feb. 11 1998 |
Monica Roman |
| U.S. Indies Take Aim at Berlin |
Variety Weekly (48th Berlin Int. FF) |
|
Feb. 9-15 1998 |
Patricia Saperstein |
| Drive, She Said |
Daily Playback |
|
Sept. 9 1997 |
Cheryl Binning |
| Small Screen, Big Picture |
Daily Playback |
|
July 24 1997 |
Holly Willis |
| Mentors with Money: *NWF Listing |
The Biz |
|
Winter/ Spring 1998 |
Michael Hauge |
| *NWF Listing |
Playback First Take |
|
July 11 1997 |
|
| *NWF Listing |
IFP/West Newsletter |
|
June 1997 |
|
| *NWF Listing |
IFP/East Newsletter |
|
June 1997 |
|
| *NWF Listing |
IFP/North Newsletter |
|
June 1997 |
|
| The IFC Forms Two Companies |
International Documentary |
Vol. 16 no. 5 |
May 1997 |
|
| IFC Forms Own Film Company |
Business of Film |
|
April 1997 |
|
| IFC Trying Hand at Production |
The Hollywood Reporter |
|
March 7-9 1997 |
Stephen Battaglio |
| Cable Net. Bows Indie Prod'n Unit |
Daily Variety |
|
March 5 1997 |
Monica Roman |
| IFC Makes Next Wave to Aid with Final Print Coin |
Daily Variety |
|
March 6 1997 |
John Dempsey |
| IFC Readies Top-up Fund |
Screen International |
No. 1099 |
March 14-20 1997 |
Colin Brown |
| IFC to Bankroll Films |
Multichannel News |
|
March 10 1997 |
Kent Gibbons |
| IFC Creates Production Units |
Electronic Media |
|
March 10 1997 |
Jim McConville |
| IFC Sets Up Production Units |
Cable World |
|
March 10 1997 |
Will Workman |
| IFC will Fund Indie Films |
Broadcasting and Cable |
|
March 10 1997 |
Joe Schlosser |
Following Press
| Title |
Publication |
Issue No. |
Date |
Author |
| Rest of the Week's Films |
The Sunday Times London (Culture) |
|
November 7, 1999 |
Edward Porter |
| Critic's Choice |
Time Out:London |
|
November 10, 1999 |
|
| Opening This Week |
Hot Tickets |
|
November 11, 1999 |
Alexander Walker |
| Look Who's Stalking |
Time Out:London |
|
November 10, 1999 |
Geoff Andrew |
| Following Revue (index) |
Time Out:London |
|
November 10, 1999 |
Geoff Andrew |
| A Fate worse than death? Living in Eccles.. |
The Observer |
|
November 7, 1999 |
Philip French |
Following (review)
|
Sunday Express |
|
November 7, 1999 |
Henry Fitzherbert |
| True Son of Kubrick |
Evening Standard |
|
November 4, 1999 |
|
| Now for the no-budget blockbuster |
Evening Standard |
|
November 3, 1999 |
James Mottram |
Ghost of a Smile "Other Releases"
(capsule review)
(registration required for link) |
The Guardian |
|
November 5, 1999 |
|
A Cult Following
(registration required for link) |
The Guardian |
|
November 5, 1999 |
Andrew Pulver |
| Confessions of a Festival Junkie |
Cine Zine |
Vol. 1 |
Nov. 15, 1999 |
Rich Cline |
| 'Traffic" Signaled: club Pic winner at 10th Dinard Festival |
Daily Variety |
|
October 5, 1999 |
Lisa Nesselson |
| Dinard Directs British "Traffic" |
Weekly |
|
|
Charles Masters |
| Following Review |
The Onion |
|
August 5-11, 1999 |
Scott Tobias |
| Following Review |
The Culture |
|
August 6, 1999 |
Lisa Alspector |
| Following Review |
The Galway Film Fleadh News |
Issue 3 |
July 9, 1999 |
|
| Following Review |
San Francisco Chronicle |
|
July 2, 1999 |
|
| Walk Away |
Filmmaker Magazine |
|
Spring 1999 |
|
| Following ö Slamdance Screens Impressive Films |
In Camera |
|
July 1999 |
|
| The Talented Mr. Cobb |
TV Guide online |
|
|
Ken Fox |
| Following Review |
San Francisco Bay Gaurdian |
|
June 30, 1999 |
|
| In The Shadows |
Union Tribune San Diego |
|
June 10, 1999 |
David Elliot |
| Walking Along a Crooked Path |
New York Times |
|
April 2, 1999 |
Janet Maslin |
| Following the twisting path of sinister neo-noir intrigue |
LA Times |
|
June 4, 1999 |
Kevin Thomas |
| Following a hot tale |
New York Post |
|
April 2, 1999 |
|
| Worth Following |
Newsday |
|
April 22, 1999 |
John Anderson |
| Following |
New Yorker |
|
April 19, 1999 |
|
| Young Man with a Passion |
New Times |
Vol 4., No 22 |
June 3-9, 1999 |
Andy Klien |
| Secret Sharer |
LA Weekly |
Vol 21, #28 |
June 4-10, 1999 |
Ernest Hardy |
| Nolan Embraces a Strong Following |
Hollywood Reporter |
|
April 13-19, 1999 |
Frank Scheck |
| Dutch Courage Rotterdam 99 |
Time Out London |
#1486 |
Feb 10, 1999 |
Geoff Andrew |
| Following Up |
Village Voice |
Vol. XLIV #14 |
April 13, 1999 |
Dennis Lim |
| Slippery Slopes/Sundance Takes A Tumble |
Village Voice |
|
Feb. 1999 |
Amy Taubin |
| Skin Flicks/Rotterdam Gets Racy |
Village Voice |
|
Feb. 17-23, 1999 |
Dennis Lim |
| The Perils of Peeping |
Rotterdam Films |
|
Feb. 3, 1999 |
|
| Following Review |
The Journal: Park City Media Group |
|
Jan., 1999 |
|
| Following Wind Speeds up Film Finishing Funds ö next Wave backs Toronto Discvery; Seeks Ultra-low Budget Pics |
Screen International |
|
September 25, 1998 |
Sandy George |
| Following Review |
Now (Canada) |
|
Toronto Film Festival |
|
BLOOD, GUTS, BULLETS & OCTANE Press
| Title |
Publication |
Issue No. |
Date |
Author |
| The Best of 1999 on Video |
MovieMaker Magazine |
#37, Vol. 7 |
February 2000 |
Rustin Thompson |
| Filmmakers Seek Their Moment in the Sundance |
USA Today: Life |
|
Jan. 15 1998 |
Claudia Puig |
| Anything Can Still Happen at Sundance Film Festival |
The New York Times |
|
Jan. 18 1998 |
Bernard Weinraub |
| Guts and Glory |
The Village Voice |
|
Oct. 7 1997 |
Amy Taubin |
| U.S. Indies Take Aim at Berlin |
Variety Weekly (48th Berlin Int. FF) |
|
Feb. 9-15 1998 |
Patricia Saperstein |
| Lions Gate Smells "Blood" |
Daily Variety |
|
Feb. 11 1998 |
Monica Roman |
| Blood, Guts, Bullets· |
The Hollywood Reporter |
Vol. CCCLI, no. 1 |
Jan. 26 1998 |
Duane Byrge |
| Blood Guts Bullets and Octane |
The Independent Film and Video Monthly |
|
April 1998 |
Jim Thompson |
| The '98 Berlinale |
The Independent Film and Video Monthly |
|
May 1998 |
Ryan Deussing |
| 50 to Watch: Joe Carnahan |
Variety |
93rd Anniversary Issue |
August 24-30, 1998 |
Robert Hofler |
| The Post House |
Variety |
The Independents '98 |
July 16, 1998 |
Stephanie Argy |
ENVY Press
| Title |
Publication |
Issue No. |
Date |
Author |
| Envy Review |
The Movie Show |
|
Nov. 22, 2001 |
Maragret Pomeranz |
| Oz Frock Shocker |
The Sunday Age |
|
Nov. 15, 2001 |
Tom Ryan |
| How to Enjoy Envy |
Herald Sun |
|
Nov. 15, 2001 |
Leigh Paatsch |
| A home movie begs to do Hitchcock proud |
Sydney Morning Herald |
|
Oct. 25, 2001 |
Sandra Hall |
| Envy Review |
Triple J Review |
|
Sept. 30, 2001 |
Megan Spencer |
| Envy Review |
The Courier Mail |
|
Sept. 29, 2001 |
Des Partridge |
| Envy Review |
Film Critic |
|
Sept. 21, 2001 |
Norm Schrager |
| Envy Review |
Who Weekly |
|
|
Andie Paviour |
| Envy Review |
Urban Cinefile |
|
|
Richard Kuipers |
| Maker of Envy's Lust for Words |
St. George and Sutherland Shire Leader |
|
|
|
| Envy Review |
Variety |
|
Oct. 18-24, 1999 |
Emanuel Levy |
| IFC unit putting green on ‘Envy’ |
The Hollywood Reporter |
|
Sept. 8, 1999 |
Thom Geier |
THE HI-LINE Press (very partial listing)
|
